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Emilio Lari is an Italian born ''movie stills photographer''. ==Career== Emilio started his career by bluffing his way on to the set of Richard Lester's ''A Hard Day's Night'' in 1964. On set, the crew and actors happened to be waiting for a photographer from L’European magazine and welcomed Lari accordingly. Emilio happily played the role until he was exposed when the official photographer arrived. However, his talent and friendly approach led to an invitation to the filming of ''Help!'' in 1965. Lari's charm and happy-go-lucky attitude took him through 40 years of European and Hollywood movies – from the cult 1966 hit ''Barbarella'' and Franco Zeffirelli’s classic 1968 ''Romeo and Juliet'', to Francis Ford Coppola’s iconic ''Godfather'' trilogy and Martin Scorsese’s ''Raging Bull''. As the official on-set photographer to the biggest stars of the Big Screen, Lari’s stills are infused with a sense of ease that comes from his relationship with the actors and directors that he worked with. His portfolio includes some incredible shots of iconic figures caught off guard; we see John Lennon mucking about in a long dark wig, and Jane Fonda stealing the director’s chair to put her feet up between takes. Facing us from the back of that chair is the Director’s name: Roger Vadim. Lari has tipped the viewer a cheeky wink... As much as his considerable skill with the camera, Emilio Lari’s ebullient personality and playful eye characterises his unique brand of photography. As Francis Ford Coppola said of him, "you...can't separate the work from the man, but both lifted your spirits."〔Francis Ford Coppola, quoted in Lari, Emilio, Back to Help, Lampi di Stampa, 2006〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Emilio Lari」の詳細全文を読む スポンサード リンク
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